16 September – 22 October, Sydney
A Midsummer Night’s Dream Directed by Kip Williams, staged by Sydney Theatre Company, will be running at the Sydney Opera House Drama Theatre for the remainder of September and most of October.
The cast includes Rob Collins, Honey Debelle, Brandon McClelland and Rose Riley as the four young lovers. Josh McConville, who only recently was Hamlet, has diminished (or is it blossomed?) into Bottom. Paula Arundell as Titania should be a treat, and I’m sure Bruce Spence has had a Mechanical in him looking for an outlet for his whole career.
The publicity leans heavily on a darker take on this play being some kind of innovation. Dark has been the default on this piece for several decades now, and I don’t think we’ve seen a gauze fairy wing since Vivian Leigh, but I guess they need an angle.
Teaching this play last year gave me my first reason to dig down into it properly, and what I discovered is that it is primarily about transformation. Turning Bottom into an ass is only the most literal embodiment of all the many transformations we experience, each of which is shown here to be as glorious as it is terrifying: magic is transformation, but so is acting, and so, above all, is love.